Create a 2:3 vertical extreme close-up portrai

Create a 2:3 vertical extreme close-up portrait of a clearly adult woman leaning toward the camera through a full transparent pane of wet glass. Her face occupies more than 80% of the image, with the camera physically positioned on the opposite side of the glass. The pane had already fogged over: cover it with irregular condensation beads of many different sizes, fine mist, larger drops actively running downward, translucent trails, minor smears and a few partially cleared contact marks. All of this moisture must exist physically in front of the subject rather than appearing as sweat directly on her skin. She wears narrow oval to slightly rectangular dark charcoal sunglasses with a very thin silver metal frame and fine temples, including believable irregular reflections. Her head is subtly tilted back and turned a little to one side, her face almost touching the glass. Her mouth is naturally open and her tongue is fully extended downward toward the pane, approaching or lightly touching it. The moment should feel mischievous and spontaneous rather than carefully choreographed: the glass had already become wet, she is pressing close to it now, and a second later one of the larger droplets might slide farther down and leave another trail. Preserve natural facial proportions and small asymmetries instead of converting her into a generic beauty-model face. Use a light to light-warm beige complexion with believable peach-pink circulation, natural brows, an almost invisible base and muted rosy-pink lips with real moist lip texture. Keep the makeup in a restrained 1990s/Y2K fashion-beauty language. Because the sunglasses conceal the eyes, avoid dramatic lashes, heavy eyeliner or colorful eye makeup. Skin should retain visible pores, tiny tonal variations, faint freckles and minor imperfections. Its tactile impression should read as soft, warm, subtly velvety human skin rather than polished plastic. Contrast that apparent warmth with the cool wet sensation created by the pane directly in front of her. Her medium-to-deep warm brown hair falls loosely around the face with soft natural waves and a few untidy flyaways. A hard warm beam of natural sunlight enters from the upper-right/right side, passing through stray hair and striking the forehead, nose bridge, cheek and nose tip with uneven golden highlights. The opposite side falls naturally into softer shadow. Behind her, keep the environment unidentified and heavily defocused, reduced to a cool cyan, sky-blue and gray-blue field that supplies only weak ambient fill. Let the warm directional light physically refract through the condensation droplets, breaking into tiny specular fragments, irregular bright patches and subtle distortions. Do not use perfect studio fill, symmetrical softboxes or a clean artificial rim light. Photograph it with the perspective of an approximately 24–28mm full-frame-equivalent wide lens or a smartphone main camera at very close focusing distance. Position the camera almost against the glass and slightly below eye level, looking subtly upward. The proximity should naturally enlarge the nose, mouth and tongue slightly without producing grotesque distortion. Use extreme close framing with imperfect centering: allow some hair to be accidentally clipped near the top and let the lower face, neck and body disappear naturally beyond the frame. The face and a portion of the foreground condensation should both remain readable, but do not make every pore and every droplet equally razor sharp. Allow natural close-focus inconsistencies and a softly blurred blue background. Preserve slight glass dirt, sensor grain, mild digital sharpening, imperfect exposure, flyaway hairs and uneven water patterns so the image feels physically photographed by a human rather than rendered as flawless CGI. Do not invent body areas outside the reference framing. The waist, hips and legs are entirely absent. The chest is essentially outside the image as well; at most, allow a tiny fragment of neck, shoulder, clavicle or upper-chest skin at the bottom edge, still obscured by wet glass and cropping. Clothing should remain almost invisible, with only a minimal black or deep-brown shadow of fabric near the edge if needed. The final atmosphere should combine Y2K sunglasses styling, wet-glass editorial photography and imperfect smartphone-candid realism: humid, heated, playful, intimate and faintly rebellious. The lens feels almost close enough to touch her, yet the wet transparent pane always remains a tangible physical barrier. Negative prompt: plastic skin, over-smoothed skin, beauty filter, perfect symmetry, commercial beauty lighting, perfect rim light, heavy makeup, oversized lips, warped sunglasses, deformed teeth, deformed tongue, fake droplets, sweat instead of glass condensation, over-HDR, oversharpening, excessive bokeh, cyberpunk neon, sterile clean glass, invented body, visible waist, visible legs, wrong mirror flip.